Nous sommes heureux de vous informer que l’inscription pour le colloque international “Mode, vêtement et société en Europe durant la Première Guerre mondiale » est maintenant ouverte à l’adresse suivante:
https://www.weezevent.com/fashion-dress-and-society-in-europe-during-world-war-i.
Lieu et programme:
Le colloque aura lieu à l’Institut Français de la Mode, 36 Quai d’Austerlitz, 75013 Paris, les 12 et 13 décembre 2014.
Il présentera 65 interventions en français et en anglais :
*Journée du vendredi 12 décembre : conférences plénières entre 9h et 18h
*Journée du samedi 13 décembre : trois sessions simultanées de conférences entre 9 et 17h
Toutes les informations relatives au colloque et à l’inscription se trouvent sur le site Internet du colloque : http://europeanfashionwwi.wordpress.com/
Le programme définitif sera bientôt disponible.
Inscription:
Merci de bien noter que vous devez vous inscrire pour assister au colloque. Les frais, qui s’élèvent à 60 euros par participant, comprennent les 4 pauses café, ainsi que les deux repas des deux jours du colloque. Un tarif spécial de 35 euros s’applique pour les étudiants (avec justificatif de la carte d’étudiant en cours de validité). Un tarif spécial est également proposé pour les demandeurs d’emploi et les intermittents du spectacle, ainsi que pour ceux qui ne peuvent assister qu’à une journée du colloque (vendredi ou samedi).
-Public, General Admission (2 days): 60 euros (+ tax)
-Public, Student Admission (2 days): 35 euros (+tax)
-Public, Unemployed/Artists (2 days): 40 euros (+tax)
-Public 1 day (Friday or Saturday), General: 35 euros (+ tax)
-Public 1 day (Friday or Saturday), Student: 20 euros (+ tax)
-Public 1 day (Friday or Saturday), Unemployed/Artists: 25 euros (+ tax)
Liste des intervenants :
Nuria Aragonès (University of Barcelona/ Paris III, Sorbonne): French press during WWI
Ana Balda (University of Navarra, Spain): WWI and its consequences on the consumption of French Haute Couture by Spanish Royalty, aristocracy and high bourgeoisie
Maude Bass-Krueger (PhD candidate, Bard Graduate Center, NYC): La Parisienne et Le Poilu: Fictions and fantasies of fashionable women and their soldiers during the War
Beatrice Behlen (Senior Curator, Fashion and Decorative Arts, Museum of London): Collecting and displaying WWI at the Museum of London
Muriel Berthou Crestey (Researcher at ITEM): Adolf de Meyer & Vogue, 1914-1918
Ulrika Berglund (PhD candidate, Centre for Fashion Studies, Stockholm University): The neutrality policy and fashion culture in Sweden, 1914-1918
Nele Bernheim (PhD candidate, University of Antwerp): The fashion house Norine, 1915-1918
Cally Blackman (Lecturer, Central Saint Martins, University of the Arts, London): The potential of autochrome as a source of visual evidence for dress historians, archives of La Planète created by Albert Kahn
Regina Lee Blaszczyk (Professor, University of Leeds, UK): “Yankee Ingenuity Confronts Paris Fashion: The Hidden History of How World War I Shaped Color Practice in the American Fashion Business”
Emily Brayshaw (PhD candidate, University of Technology, Sydney, Australia): Gaby Deslys, ostrich feathers, WWI
Maria Carlgren (PhD candidate, University of Gothenburg, Sweden): Wartime fashions in Stockholm and Paris, looking at the artists Valle Rosenberg and Siri Derkert and their fashion collections for the Swedish fashion house Birgittaskolan during WWI
Laura Casal-Valls (University of Barcelona, Spain): Clothes-making in Barcelona during WWI: effects and consequences of the war
Katy Conover (Independent scholar, London): extent couture garments in British collections, 1914-1918
Marguerite Coppens (Curator of the Lace and costumes at the Royal Art and History Museums, Brussels): Lacemaking industry, French and Belgian reactions to stimulate the industry during the war
Manuel Charpy (Professor, iRHis, Lille): Masculine uniform during WWI
Ilaria Coser (Independent scholar, UK): Women fashion journalists, 1914-1918
Jennifer Daley (PhD candidate, King’s College, London) The Marketing of Patriotism: The Political Usage of Sailor Fashion during the First World War, 1914-1918
Gillian Davies (Retired Professor, Savannah College of Art and Design, USA): Elsie de Wolfe’s style & WWI
Burcu Dogramaci (Professor, LMU, Munich): German fashion writings in war times
Lourdes Font (Professor, Fashion Institute of Technology, NYC): American Couture Houses in Paris during the War
Holly Grout (Professor, University of Alabama, USA): Beauty in France during WWI
Birgit Haase (Professor, HAW Hamburg, Germany): “La Crinoline de Guerre: a Feminine Fashion between Past and Future”
Sara Hume (Curator/Assistant Professor, Kent State University Museum): Between fashion and folk – dress practices in Alsace during WWI
Amy de la Haye (Professor, University of the Arts, London): Landgirls’ uniforms, WWI
Stéphane Jacques-Addade (Art Historian and Member of the European Chamber of Art Experts, France): Bernard Boutet de Monvel, a wartime dandy or the evolution of the uniform ‘à l’anglaise,’ 1914-1918
Catherine Join-Dieterle (former Director of the Musée Galliera, Paris): L’Art et la Mode, 1914-1918
Marta Kargol (Jagiollonski University, Krakow): Changing practices of home-made clothing in the neutral Netherlands during the Great War
Andrea Kollnitz (Assistant Professor, Center for Fashion Studies, Stockholm University): The national identity of fashion women in Germany and Sweden
Sophie Kurkdjian (IHTP/CNRS, Paris): Women’s press during the War
Nigel Lezama (Professor, Brock University, Ontario, Canada): Le Flambeau & sartorial discourse during the war
Zsolt Mészáros (PhD candidate, Univeristy Eötvös Loránd, Budapest): Male fashion during WWI
Chryssa Mantaka (Assistant Professor of Costume Design at the School of Drama, Aristotle University, Thessaloniki): Dress in Salonica during the Great War, mapping the sartorial profile of the era
Maria Makela (Professor, California College of the Arts, USA): Kunstheide (artificial silk) and the democratization of German fashion
Thierry Maillet (University of Erasmus, Rotterdam): Trend-card manufacturing during WWI
Marie Mcloughlin (Professor, University of Brighton, UK): The evolution of the trench coat, from War Office to High Street
Alisa Miller (Research Fellow, Norwich University of the Arts, UK): Gladys Peto, commercial fashion illustrator and the Sketch – elite consumer culture and the changing image of the modern woman, 1914-1919
Enrica Morini (IULM University, Milano): Margharita’s war & Italian fashion during WWI
Anna Novikov (Deutsches Historisches Institut, Warsaw): Female fashion and patriotism in partitioned Poland during WWI
Lewish Orchard (textile designer, London): The fashion house Lucile, 1914-1918
Christine Pappelau (Bauhaus University Weimar, Germany): The decline of bourgeois fashion and the rise of workers’ clothing during WWI & the Russian Revolution
Alexandra Palmer (Fashion Costume Senior Curator and Chair, Royal Ontario Museum, Canada): WWI garments from the Royal Ontario Museum
Victoria Pass (Salisbury University, Maryland, USA): Chanel, Duchamps and the rise of celebrity culture during WWI
Emmanuelle Polle (journalist, France) & Johanna Zanon (PhD student, University of Oslo): Patou during the Great War.
Alan Price (Retired Professor, Pennsylvania State University): Dressing American relief workers in the Great War, the story of three important American war charities in France
Adelheid Rasche (Curator of the Sammlung Modebild, Berlin): War and Fashion
Georgina Ripley (Curator, Modern & Contemporary Fashion & Textiles, National Museums of Scotland): Lucile & WWI, using dresses from the museum collection
Jennifer Roberts (PhD scholar, Brighton University, UK): Munitions factory worker’s dress in Britain during WWI
Margherita Rosina (Director, Museo Studio del Tessuto Fondazione Antonio Ratti, Como): War-time silk production in the collection of the Fondazione Antonio Ratti
Victoria Rovine (Associate Professor, Art History University of North Carolina at Chapel Hill ): The colonial context – French fashion design and the representation of Le Soudan Français
June Rowe (PhD candidate, University of the Arts, London): Early English femininities & wartime change
Suzanne Rowland (Museum Educator, London): The rise of the mass-produced blouse, 1914-1918
Guillaume de Syon (Professor, Albright College, Pennsylvania, USA): French aviation adjustment to wartime, 1914-1918
Änne Söll (Research fellow, Institute for Arts and Media, University of Potsdam, Germany): The First World War in the Viennese Fashion Journal “Die Herrenwelt,” 1916-1917
Nadège Sougy (Assistant Professor, University of Neuchâtel, Switzerland): Warheads and patriotic jewelry
Mary Lynn Stewart (Professor, Simon Fraser University, British Columbia, Canada): Marketing Haute Couture during the Great War
Lou Taylor (Professor, University of Brighton, UK): High Society Women in Britain and their Contribution to the War Effort
Patricia Tilburg (Professor, Davidson College, USA): Female garment workers in France during WWI
Elena Trencheva & Joanna Weckman (Postdoc researcher & graduate student in Costume Design, Department of Film, Television and Scenography, School of Arts, Design and Architecture, Aalto University, Finland): Visual representation of Finnish identity through dress during WWI
Dominique Veillon (CNRS, Paris): Mourning dress in WWI
Margaret Vining (Curator, Division of Armed Forces History,, National Museum of American History, Smithsonian): Uniforms re-fashioning the woman, 1914-1918, analysis of the collection of WWI uniforms worn by women volunteers in the US and overseas
Janet Watson (Professor, University of Connecticut, USA): Khaki Girls and women war workers’ uniforms during WWI
Eva Maria Zangl (Karl-Franzens, University of Graz, Austria): Manmade fibers and artificial silk during WWI
Steven Zdatny (Professor, University of Vermont, USA): Hairdressing and hairstyles during WWI
Contact
Maude Bass-Krueger, Sophie Kurkdjian : europeanfashionwwi@gmail.com
N’hésitez à nous contacter pour toute question que vous pourriez avoir.
Le Comité scientifique du colloque
